Part III: Locating/Relocating the “National” in Film Exhibitionġ6 Nationalist film-going without Canadian-made films? ġ7 The cinema arrives in Italy: city, region and nation in early film discourse ġ8 Wondrous pictures in Istanbul: from cosmopolitanism to nationalism ġ9 The emergence of nationally specific film cultures in Europe, 1911–1914 Ģ0 The Norwegian municipal cinema system and the development of a national cinema Ģ1 Spanish lecturers and their relations with the national Ģ2 Joseph Dumais and the language of French-Canadian silent cinema Ģ3 Localizing serials: translating daily life in Les Mystères de New-York (1915) Ģ4 Seeing the world while staying at home: slapstick, modernity and American-ness Ģ5 “A purely American product”: tramp comedy and white working-class formation in the 1910s Ģ6 The “Chinese” conjurer: orientalist magic in variety theater and the trick film Ģ7 A note on the national character of early popular science films Ģ8 European melodramas and World War I: narrated time and historical time as reflections of national identity Ģ9 “Cow-punchers, bull-whackers and tin horn gamblers”: generic formulae, sensational literature, and early American cinema ģ0 Early ethnographic film and the museum ģ1 Black hair, black eyes, black heart: Theda Bara and race suicide panic ģ2 Who is the “right” star to adore?: nationality, masculinity and the female cinema audience in Germany during World War I
#Publicité banania raciste plus
Richard Abel, Giorgio Bertellini and Rob Kingġ Early cinema as global cinema: the encyclopedic ambition ģ Images of the “National” in early non-fiction films Ĥ National and racial landscapes and the photographic form ĥ Sound-on-disc cinema and electrification in pre-WWI Britain, France, Germany and the United States Ħ Mind-reading/mind-speaking: dialogue in The Birth of a Nation (1915) and the emergence of speech in American silent cinema ħ Living Canada: selling the nation through images Ĩ Early cinema and “the Polish question” ĩ Our Navy and patriotic entertainment in Brighton at the start of the Boer War ġ0 “An England of our Dreams”?: early patriotic entertainments with film in Britain during the Anglo-Boer War ġ1 “The transport of audiences”: making cinema “National” ġ2 Enlisting early cinema in the service of “la plus grande France” ġ4 Fights of Nations and national fights.
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